Martin Mastik, um dos grandes guitarristas da actualidade é entrevistado por Jorge Rodrigues no ESFERAS de 23 de Abril - 18:00 - 20:00
A propósito de Mastin Mastik:
New York Times – “A talented artist: his instincts are directly musical, skillful and intelligently conceived performance.“
L. A. Times – “A dramatic, purposeful and intensely involved performance, refreshing fluency and conviction.”
Die Welt – “The festival has already produced a number of stars – Midori, Gil Shaham, Evgeny Kissin, Vadim Repin – and has long been a place where first-class talent is forged ... this is true, too, for the guitarist Martin Mastik, who was irresistible ... they all have something when they arrive and are somebody when they leave.”
Birmingham Post – “captivated his audience by formidable talent combined with great personal charm.”
Sun - Sentinel Miami, April 8, 2002 - Guitarist Martin Mastik and bandoneon player Daniel Binelli proved richly idiomatic solo protagonists in Piazzolla's Double Concerto for the two instruments. Mastik was superb in his atmospheric opening cadenza.
Dresden Neueste Nachrichten, May 12, 2003 - Guitarist Martin Mastik in Piazzolla's "Homage à Liege" handled his instrument with lover's gentleness and raised the listeners from their seats.
L. A. Times – “A dramatic, purposeful and intensely involved performance, refreshing fluency and conviction.”
Die Welt – “The festival has already produced a number of stars – Midori, Gil Shaham, Evgeny Kissin, Vadim Repin – and has long been a place where first-class talent is forged ... this is true, too, for the guitarist Martin Mastik, who was irresistible ... they all have something when they arrive and are somebody when they leave.”
Birmingham Post – “captivated his audience by formidable talent combined with great personal charm.”
Sun - Sentinel Miami, April 8, 2002 - Guitarist Martin Mastik and bandoneon player Daniel Binelli proved richly idiomatic solo protagonists in Piazzolla's Double Concerto for the two instruments. Mastik was superb in his atmospheric opening cadenza.
Dresden Neueste Nachrichten, May 12, 2003 - Guitarist Martin Mastik in Piazzolla's "Homage à Liege" handled his instrument with lover's gentleness and raised the listeners from their seats.
